The staff of a European publication decides to publish a memorial edition highlighting the three best stories from the last decade: an artist sentenced to life imprisonment, student riots, and a kidnapping resolved by a chef.
Participating in the discourse surrounding Wes Anderson and his work is at once a tempting delight and an intricate challenge. Unmistakably, he has cultivated some of the most recognisably precise and glossy aesthetics in the contemporary filmscape.
Germany, United States of America
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