Four years after the events of Halloween in 2018, Laurie has decided to liberate herself from fear and rage and embrace life. But when a young man is accused of killing a boy he was babysitting, it ignites a cascade of violence and terror that will force Laurie to finally confront the evil she can’t control, once and for all.
If David Gordon Green’s Halloween Kills was a bold swing of a kitchen knife, seeking out sociopolitical depths, then the capper to his trilogy, Halloween Ends, is one massive stab in the dark.
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